PICICA: Às vésperas do segundo turno das eleições de 2014, a Oi prestou um desserviço para este blogueiro. Fiquei sem acesso a internet e sem telefone fixo. Comuniquei o fato à operadora. O crescimento descomunal da telefonia no Brasil - conhecido por ter uma internet com uma das velocidades mais baixas do planeta, sem que as autoridades tomem medidas cabíveis contra esse descalabro - vem promovendo um festival de insatisfações com a demorada resposta do serviço de assistência técnica, quando ele se faz necessário. Primeiro exigem espera de 5 dias úteis para o reparo técnico. E quando o consumidor reclama de que o agendamento não foi cumprido, sob a alegação de que o pedido ficou fora do prazo e seriam necessários mais 5 dias de espera temos o desprazer de lidar com a irritação do(a) atendente, como se você fosse o sujeito mais errado do mundo. Até que um belo dia a empresa resolve ligar e pede mais 10 dias de prazo. É de enervar o mais carola dos cristãos. Depois que "a vaca foi pro brejo", foi minha vez de relaxar e dispensar o serviço da Oi. Era o mínimo que poderia fazer, romper o contrato com os dois serviços citados. Foi bom enquanto durou. Só não poderiam ter perdido a delicadeza. De todo modo, em homenagem ao fim da nossa relação comercial, como despedida ofereço esse memorável concerto de Mozart. Aos que me distinguem com o acompanhamento diário deste blog, peço a devida vênia. Retomarei a prazerosa atividade de oferecer textos que contribuam para o debate público da democratização da sociedade brasileira em suas práticas políticas concretas de produção coletiva das condições objetivas e subjetivas de igualdade e constituição do comum.
Wolfgang Amadeus Mozart Herbert von
Karajan Full HD 1080p Full Concert Soundtrack Complete Requiem greatest
concert memorable The Requiem Mass in D minor (K. 626) by Wolfgang
Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the
composer's death on December 5. A completion by Franz Xaver Süssmayr
was delivered to Count Franz von Walsegg, who had anonymously
commissioned the piece for a requiem Mass to commemorate the February 14
anniversary of his wife's death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
MORE INFORMATION HERE
http://en.wikipedia.org/wiki/Requiem_...)
http://en.wikipedia.org/wiki/Wolfgang...
http://pt.wikipedia.org/wiki/Herbert_...
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
MORE INFORMATION HERE
http://en.wikipedia.org/wiki/Requiem_...)
http://en.wikipedia.org/wiki/Wolfgang...
http://pt.wikipedia.org/wiki/Herbert_...
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